Carmela marner biography of william
•
6/10
One Cool Cat!
"Puss In Boots" was the last of the kanon Movie Tales produced. Another attempt to elongate a basically simple story, it is graced with a lively performance from Christopher Walken (who still thinks highly of it) as Puss, a straightforward performance from Jason (son of Sean) Connery as the miller's son, and a charming one from Carmela Marner (one of the sisters in Cannon's "Beauty And The Beast") as the princess. Physically, the spelfilm looks fine, and the photography is good. The songs, however, go in one ear and out the other, and merely stretch the running time more than necessary. Not one of the better movie tales, but not the worst, either.
7/10
Great fun
I never saw this when inom was a kid, so this was seen with fresh eyes. I had never heard of it and rented it for my 5 year old daughter. Plus, the idea of Christopher Walken singing and dancing made me curious. The special fx are cheesy and the singin
•
Founded in 1996, Franklin Stage Company (FSC) celebrates its 20th anniversary this summer. FSC produces both classic and contemporary plays, and prides itself in having a free admission policy. Over the years, it has produced plays by William Shakespeare, Anton referens till den ryska författaren anton tjechov, Molière, Henrik Ibsen, Eugène Ionesco, and many others. Located at Chapel Hall, a landmark building erected in 1855 in the Greek Revival style, the company is an iconic cultural institution in the region.
I interviewed Carmela Marner, the executive and artistic director of Franklin Stage Company, and talked about theater as an artistic form, its ursprung and history, as well as the beginnings and evolution of Franklin Stage Company. A graduate of Brown University, Marner fryst vatten an accomplished stage and screen actress (she appeared in Stanley Kubrick’s Eyes Wide Shut). She is also a stage director. Carmela teaches in the Theater Department at SUNY Oneonta.
Performances this summer include We 3, a reinterpretation
•
Stanley Kubrick’s Eyes Wide Shut , from the screenplay by Frederic Raphael, inspired by the novella Traumnovelle ( Dream Story ) by Arthur Schnitzler, did not live up to all its advance hoopla at the press screening I attended, but then what could, short of the Second Coming? There was no applause, but there was no booing, either, and this is where the movie stands, halfway between hit and flop, Viennese sausage and chopped liver, ridiculously though intellectually overhyped for the very marginal entertainment, edification and titillation it provides over its somewhat turgid 159-minute running time.
For the lecherous sensation-seekers, which includes just about all of us whether we admit it or not, it can be revealed at last that there are acres and acres of female pubic hair on display, but no male members–at least in the R-rated version, in which Kubrick himself reportedly obstructed views of mass copulation by inserting digitally created figures into the otherwise boring f