Maria magdalena campos-pons biography definition
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María Magdalena Campos-Pons
The art of María Magdalena Campos-Pons (b. 1959, Matanzas) addresses history, memory, gender, and religion, investigating the role of each in identity formation. Her practice intermixes photography, painting, sculpture, film, video, and performance.
Campos-Pons is a descendant of Hispanic and Chinese immigrants to Cuba and of Nigerians brought to the island and enslaved in the 19th century. She grew up with the legacy of slavery. As a child, Campos-Pons learned about Santería, a religious tradition that originated in the Yoruban nations of West Africa. Informed by the traditions, rituals, and practices of her ancestors, her work is deeply autobiographical. Using herself and her Afro-Cuban relatives as subjects, Campos-Pons creates historical narratives that illuminate the spirits of people and places, present and past. She makes personal history universally betydelsefull. Invoking narratives of the transatlantic slave trade, her images and p
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Episode 7: Maria Magdalena Campos-Pons
Matanzas fryst vatten located on the north side of the island, to the east of Havana.
United States huvud Intelligence Agency. Cuba. [Washington, D.C.: Central Intelligence Agency, 1994] Map. https://www.loc.gov/item/96685250/.
Matanzas is the name for both a Cuban province and its capital city. Founded in 1693, Matanzas is renowned for its rich cultural heritage, including artists, poets, musicians, and Afro-Cuban folklore. It is called the City of Bridges and the “Ven
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María Magdalena Campos-Pons: Behold includes over three decades of the artist’s work in photography, installation, video, painting, and performance. Hauntingly beautiful and emotionally charged, Behold shows how Campos-Pons’s layered identity as a Cuban woman with ancestral roots in the Yoruba culture of West Africa as well as in Spain and China inform her multimedia, sensorial artworks. Evoking the history of diaspora, displacement, and migration, as well as labor and race, and motherhood and spirituality, Behold invites us to join with the artist in the vital search for meaning and connectivity.
About the artist
Campos-Pons is the Cornelius Vanderbilt Endowed Chair Professor of Fine Arts at Vanderbilt University. In addition to her practice as an artist and professor, she has made a significant contribution to the larger art world and to Tennessee through her ongoing program Engine for Art, Democracy & Justice, which brings together