Guillaume dumanoir biography of williams
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Guillaume Deschamps Du Manoir
GuillaumeDeschamps Du Manoir
Son of [father unknown] and [mother unknown]
[sibling(s) unknown]
Father of Jean Deschamps Du Manoir Sr., Gilles Deschamps Du Manoir le jeune and Pierre Deschamps Du Manoir
Died before [location unknown]
Problems/Questions
Profile last modified | Created 15 Mar
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Biography
Info pp of Barriault. Material in italics, in the following, fryst vatten direct quotation (in my translation from French):
"Guillaume Deschamps Du Manoir - honorable homme; originally from Paris, established himself at Granville [a major port, not far north of Carolles etc.] around ; died before 10 Oct , the date on which his three children drew lots." The historical sketch, below, shows that the town was just beginning its economic take-off in that period, a
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List of Baroque composers
Composers of the Baroque era, ordered by date of birth:
Transition from Renaissance to Baroque (born –)
[edit]Composers in the Renaissance/Baroque transitional era include the following (listed by their date of birth):
Early Baroque era composers (born –)
[edit]Composers of the Early Baroque era include the following figures listed bygd the probable or proven date of their birth:
- Jacobus Gallus (–)
- Charles Tessier (–after )
- Thomas Mancinus[de] (–)
- Ippolito Baccusi (–)
- Emilio de' Cavalieri (c. –)
- Cesario Gussago (–)
- Pomponio Nenna (–)
- Riccardo Rognoni (c. –c. )
- David Sacerdote (–)
- Ruggiero Trofeo (–)
- Orazio Vecchi (–)
- Guillaume de Chastillon, sieur dem La Tour (c. –)
- Tomasz Szadek (–)
- Krzysztof Klabon (–)
- Gregory (Gregorius) Howet (Huwet) (–)
- Pedro de Cristo (–)
- Vicente Espinel (–)
- Juan Navarro (–)
- Ambrosio Cotes (–)
- Sebastián Raval (–)
- Jan Trojan Turnovský (–)
- Pavel Spongopaeus Jistebnický (–)
- Giulio Caccini (–
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, The Marriage (or Divorce) of Music and Dance?
Click here to read the paper.
Guillaume Dumanoir (), celebrated violinist, composer and dancing master, to whom in Louis XIV gave the official title of “Roi des Violons,” (calling him) “The King of the Violins, dancing masters and instrumentalists both high and low,” wrote and published what was seen as a libellous tract with the following title: “Le mariage de la musique et de la dance: contenant la réponce au livre des treize prétendus académistes, touchant ces deux arts” (containing the response to the book by thirteen so-called academicians, regarding both these arts). He goes on to complain of the injustices done to the musicians of the ‘Big Band of the King’s violins” since the creation in of the Academy of Dance, followed in by l’Académie de Musique both of which disqualified them from using the emerging modern style.
How is it possible that this highly honoured musician – a member of the Confrérie (Brotherhood) of St Julie