Eazzy ghana biography sampler
•
DopeNation
Ghanaian musical duo
DopeNation | |
|---|---|
| Birth name | Michael Boafo Tony Boafo |
| Also known as | B2, Twist |
| Born | Accra, Ghana |
| Origin | Saltpond, Central Region, Ghana |
| Genres | Afrobeat, Hip hop, Hiplife, Afropop |
| Occupation(s) | Recording artist, Sound engineer, Record producer, Performer |
| Instrument(s) | Keyboard, sampler |
| Years active | 2016–present |
| Members | |
DopeNation is a Ghanaianmusical duo of identical twin brothers, composed of Micheal Boafo popularly known as B2,[1][2] and Tony Boafo known as Twist.[3][4] They are best known for producing hit songs such as Kpuu Kpaa by Shatta wale, Wow by Joey B ft EL, Sebgefia by Joey B and EL, Poison by Ebony Reigns, Forever by Eazzy ft Mr Eazi, Nana Ama by Pappy Kojo, among others and chunning out hits for themselves as Artists.[5]
Early life
[edit]The twins were born in the Accra and grew up in Abeka, a community in Accra. They later moved to T
•
Mix Master Garzy
Ghanaian record producer
Mix Master Garzy | |
|---|---|
| Birth name | Benjamin Mensah Garzy |
| Also known as | Mix Master Garzy |
| Born | 7 July 1988 Tema, Ghana |
| Origin | Volta Region, Ghana |
| Genres | |
| Occupation(s) | Record Producer, sound engineer, disc jockey, |
| Instrument(s) | synthesizer, piano, Drums, sampler, Bass Guitar |
| Years active | 2008–present |
| Labels | 2MG Music |
| Website | [1] |
Musical artist
Benjamin Mensah Garzy, professionally known as Mix mästare Garzy, is a Ghanaianrecord producer,[1] sound engineer, disc jockey and singer.[2]
His major productions include "Pull Up" by Stonebwoy,[3] "My Baby" by Stay Jay ft. R2Bees, "Boom boom tag" by Mista Silva, GH UK based "Enemies" by Jupitar featuring Sarkodie in 2014,[4] "Iskoki" by Samini,[5] "KoKo Sakora" by Dr Cryme featuring Sarkodie,[6] "Alhaji" by VVIP featuring Patoranking, "Hookah" by Danagog featuring Davido, "Love You Die" bygd P
•
Discourses and Counter-Discourses on Female Sexual Behavior in Ghana
Abstract
In this paper, we explore the discourses and counter-discourses that characterize contemporary Ghanaian ethos regarding female sexual behavior. Under the Cultural Linguistics assumptions that language may reflect underlying sociocultural conceptualizations, and that cultural cognition is formed through interaction between individuals across time and space, respectively (Sharifian 2017), the following research describes traditional discourses on female sexuality as encoded in proverbs of two major Ghanaian languages, Akan and Ewe, and examines how the discourses of two young females in Ghana’s entertainment industry who create individual identities (through lyrics and social media comments) as sexual divas constitute counter-discourses to the traditional discourses. Finally, we examine social media discourses surrounding these two young females to infer how contemporary Ghanaians react to the various di