Faramarz gharibian mini biography of christopher
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Iranian Documentary About Teen Girl Thai Boxer ‘Maydegol’ Picked Up bygd Taskovski Ahead of Berlinale Premiere (Exclusive)
The film, directed by Iranian filmskapare Sarvnaz Alambeigi, focuses on an Afghan teenage girl, living with her parents in Iran. The film follows her as she strives to pursue her dream of becoming a professional Muay Thai boxer, despite her family’s conservative mindset, enduring physical abuse, and anti-immigrant sentiments. Working day and night, she finances her Thai boxing classes without her family’s knowledge.
Alambeigi said: “‘Maydegol’ embodies the harsh reality of marginalized women seeking a better life abroad.” Irena Taskovski, CEO and head of sales at Taskovski Films, added: “The film fryst vatten a poignant portrayal of immigration realities, championing the fight for women’s rights globally.
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Ebrahim Hatamikia, who is internationally renowned for his role in the cinema of Iran in the s, was born in in Tehran, Iran from an Azarbaijani's family. He left the Art University where he studied script writing. He began his directing career with the film "The Identity" in and some short films and documentaries about the Iran-Iraq War. His movies are considered to be the best that tackles the war and the issues surrounding it. His works have often received admiration in national film festivals. "The Glass Agency" and "In the Name of the Father" have won him the best screenplay and directing awards in the sixteenth and twenty-fourth Fajr International Film Festival respectively. His recent works have also been on international screens: "The Glass Agency" in Berlin and "The Red Ribbon" in San Sebastian.
BornSeptember 23,
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The New Wave Cinema in Iran: A Critical Study , ,
Table of contents :
Cover
Contents
List of figures
Acknowledgements
Introduction
1 The Iranian New Wave (Mowj-e No)
Recognition of and challenging Mowj-e No
2 The internal factors
Cinema and the negotiation of modernity in Iran
The emergence of national cinema
Nativism vs. Westoxication (Gharbzadegi)
The enablement and obstructionism of the state
The mechanisms of censorship
The establishment of cultural institutions and film centres
3 Looking for an alternative cinema in Iran
Status of critical film discourse in s Iran
Intellectual cinema and challenging Filmfarsi
Mowj-e No, the lost identity and manifestation of utopian cinema
4 New Wave and the literary tradition
Adaptation from Persian classical literature
Later fantasy and folktales
Interaction between Mowj-e No and modern literature
5 The external influences
The footprint of Italian neorealism
The global impact of the French Nouvelle Vague
The French Nouve