La fabbrica illuminata di luigi nono biography
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Luigi Nono
Italian composer (1924-1990)
This article is about the composer. For the painter, see Luigi Nono (painter).
Luigi Nono (Italian pronunciation:[luˈiːdʒiˈnɔːno]; 29 January 1924 – 8 May 1990) was an Italian avant-gardecomposer of classical music.
Biography
[edit]Early years
[edit]Nono, born in Venice, was a member of a wealthy artistic family; his grandfather was a notable painter. Nono began music lessons with Gian Francesco Malipiero at the Venice Conservatory in 1941, where he acquired knowledge of the Renaissancemadrigal tradition, amongst other styles. After graduating with a degree in law from the University of Padua, he was given encouragement in composition by Bruno Maderna. Through Maderna, he became acquainted with Hermann Scherchen—then Maderna's conducting teacher—who gave Nono further tutelage and was an early mentor and advocate of his music.
Scherchen presented Nono's first acknowledged work, the Variazioni canoniche sulla serie de
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Composer
Biography:
Luigi Nono was born the son of the engineer Mario Nono (* 1890 - † 1975) and his wife Maria (* 1891 - † 1976; née Manetti). He came from a long-established Venetian family, his parents gave him the first name of a grandfather who was an important painter from the Venetian school of the 19th century. As a high school student, he received piano lessons and in 1941 became an external student in composition with Gian Francesco Malipiero at the Accademia musicale Benedetto Marcello Conservatory in Venice. At his father's request, after graduating from high school in 1942, he studied law in Padua. In 1946 he finished his studies with a diploma, in the same year he met Bruno Maderna, with whom he took private composition lessons. Both attended a conducting course with Hermann Scherchen as part of the Venice Biennale in 1948, which Nono then accompanied on a concert tour to Zurich and Rapallo. Through Scherchen, Nono gained tillgång to the musical tradition of the Germ
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Luigi Nono
Bibliographie
- Presenza storica di Luigi Nono (Angela Ida De Benedictis, éd., avec la collaboration de Laura Zattra), Lucca, LIM, 2011.
- Musik-Konzepte, Luigi Nono, volume 20, 1981.
- Studien zur Wertungsforschung. Die Musik Luigi Nonos, volume 24, 1991.
- Philippe ALBÈRA (sous la dir. de), Luigi Nono, Paris / Genève, Festival d’automne à Paris / Contrechamps, 1987.
- Gianmario BORIO, Giovanni MORELLI et Veniero RIZZARDI (sous la dir. de), La nuova ricerca sull’opera di Luigi Nono, Florence, Olschki, 1999.
- Massimo CACCIARI (sous la dir. de), Verso Prometeo, Milan, Ricordi, 1984.
- Martine CADIEU, Présence de Luigi Nono, Isles-lès-Villenoy, Pro Musica, 1995.
- Stefan DREES, Architektur und Fragment. Studien zu späten Kompositionen Luigi Nonos, Sarrebruck, Pfau, 1998.
- Laurent FENEYROU, « Il canto sospeso » de Luigi Nono, Paris, Michel de Maule, 2002.
- Laurent FENEYROU, Fragmente-Stille, an Diotima, Genève, Contrechamps Poche, 2021.
- Lydia JESCHKE, Prometeo